The Crystal Palace Company published a Guide to Crystal Palace and Park nearly every year in the first few decades after opening their attraction in Sydenham in 1854. These guides [...]
George Gaylord Simpson‘s (1902-1984) book, Tempo and Mode in Evolution, was published in 1944 by Columbia University Press in their Columbia Biological Series. This book played an important part in [...]
I needed a quick and easy broadcast clock for creating podcast episodes. (There is a great episode of ‘99% Invisible’ on broadcast clocks that is well worth listening to.) While [...]
By 2050, nearly 2.5 billion people are projected to have some degree of hearing loss. Darcy Watson (UCL BSc Human Sciences) explores the subject of ‘hearing health’ with audiology expert Charlotte Rogers. How might our […]
The theme for 2026-27 will be “Food”. “Science and technology are two of the most important drivers of our world. As a field of study, STS is organised to interpret those activities in the past, […]
The publishing industry is enormous. It shapes science communication in fundamental ways. This module investigates publishing. How does it work? How does it enable, constrain, and challenge science communication? The module covers a wide range […]
Undergraduates in UCL Department of Science and Technology Studies (STS) undertake final year projects resulting in dissertations or research reports. Students undertake a research project largely of their own design in the field of science […]
Organising the Society for the Study of Speciation was a simple affair in 1939. The job of implementing its vision fell upon the entomologist Alfred Emerson, recruited to serve as Secretary. ‘The need was felt by […]
UCL’s Grant Museum of Zoology moved to the Thomas Lewis Room in UCL’s Rockefeller Building in 2011. No Ordinary Space is a book designed to answer popular historical questions about the room, the building, and […]
Cumberland Clarke’s Shakespeare and Science is a monumental compilation of the William Shakespeare’s many references to natural and celestial phenomena, including a careful study of the Bard’s interest in, and dramatic use of, natural phenomena. […]