Following this month’s damage to one of the most famous Crystal Palace Dinosaurs, Megalosaurus, I’m reminded of the pterodactyl statues (properly, pterosaurs) that were original to the collection. Those were [...]
The “Dinner in the Iguanodon Model” is the best known story involving Crystal Palace Dinosaurs. That dinner took place on New Year’s Eve 31 December 1853. It was immortalised in an [...]
I needed a quick and easy broadcast clock for creating podcast episodes. (There is a great episode of ‘99% Invisible’ on broadcast clocks that is well worth listening to.) While [...]
Historians must make more – and more creative – use of AI technologies for data analysis as well as for routine task of data sorting and transcription. To create a [...]
By 2050, nearly 2.5 billion people are projected to have some degree of hearing loss. Darcy Watson (UCL BSc Human Sciences) explores the subject of ‘hearing health’ with audiology expert Charlotte Rogers. How might our […]
The publishing industry is enormous. It shapes science communication in fundamental ways. This module investigates publishing. How does it work? How does it enable, constrain, and challenge science communication? The module covers a wide range […]
Postgraduate taught students in UCL Department of Science and Technology Studies (STS) undertake summer research projects resulting in dissertations or research reports. Professor Joe Cain supervises some students in this work, as do all academic […]
The famous essay by John Ruskin, The Nature of Gothic, first appeared as a chapter in his 1853 The Stones of Venice. This chapter proved immensely popular and took on a life of its own. […]
Meet Eoörnis (Eoornis), the woofen-poof. As the author explains, ‘Through countless ages and successive civilizations this remarkable bird has been the symbol of speed, stamina, grace of line, proportion of members, and beauty of motion.’ […]
Cumberland Clarke’s Shakespeare and Science is a monumental compilation of the William Shakespeare’s many references to natural and celestial phenomena, including a careful study of the Bard’s interest in, and dramatic use of, natural phenomena. […]